Radix cross Linux

The main Radix cross Linux repository contains the build scripts of packages, which have the most complete and common functionality for desktop machines

452 Commits   2 Branches   1 Tag
Index: create.patch.sh
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--- create.patch.sh	(nonexistent)
+++ create.patch.sh	(revision 5)
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+#!/bin/sh
+
+VERSION=1.4.2
+
+tar --files-from=file.list -xJvf ../flac-$VERSION.tar.xz
+mv flac-$VERSION flac-$VERSION-orig
+
+cp -rf ./flac-$VERSION-new ./flac-$VERSION
+
+diff --unified -Nr  flac-$VERSION-orig  flac-$VERSION > flac-$VERSION-man.patch
+
+mv flac-$VERSION-man.patch ../patches
+
+rm -rf ./flac-$VERSION
+rm -rf ./flac-$VERSION-orig

Property changes on: create.patch.sh
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+*
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Index: file.list
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--- file.list	(nonexistent)
+++ file.list	(revision 5)
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+flac-1.4.2/man/flac.1
+flac-1.4.2/man/metaflac.1
Index: flac-1.4.2-new/man/flac.1
===================================================================
--- flac-1.4.2-new/man/flac.1	(nonexistent)
+++ flac-1.4.2-new/man/flac.1	(revision 5)
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+.\" Automatically generated by Pandoc 2.19.2
+.\"
+.\" Define V font for inline verbatim, using C font in formats
+.\" that render this, and otherwise B font.
+.ie "\f[CB]x\f[]"x" \{\
+. ftr V B
+. ftr VI BI
+. ftr VB B
+. ftr VBI BI
+.\}
+.el \{\
+. ftr V CR
+. ftr VI CI
+. ftr VB CB
+. ftr VBI CBI
+.\}
+.TH "flac" "1" "" "Version 1.4.2" "Free Lossless Audio Codec conversion tool"
+.hy
+.SH NAME
+.PP
+flac - Free Lossless Audio Codec
+.SH SYNOPSIS
+.PP
+\f[B]flac\f[R] [ \f[I]OPTIONS\f[R] ] [ \f[I]infile.wav\f[R] |
+\f[I]infile.rf64\f[R] | \f[I]infile.aiff\f[R] | \f[I]infile.raw\f[R] |
+\f[I]infile.flac\f[R] | \f[I]infile.oga\f[R] | \f[I]infile.ogg\f[R] |
+\f[B]-\f[R] \f[I]\&...\f[R] ]
+.PP
+\f[B]flac\f[R] [ \f[B]-d\f[R] | \f[B]--decode\f[R] | \f[B]-t\f[R] |
+\f[B]--test\f[R] | \f[B]-a\f[R] | \f[B]--analyze\f[R] ] [
+\f[I]OPTIONS\f[R] ] [ \f[I]infile.flac\f[R] | \f[I]infile.oga\f[R] |
+\f[I]infile.ogg\f[R] | \f[B]-\f[R] \f[I]\&...\f[R] ]
+.SH DESCRIPTION
+.PP
+\f[B]flac\f[R] is a command-line tool for encoding, decoding, testing
+and analyzing FLAC streams.
+.SH GENERAL USAGE
+.PP
+\f[B]flac\f[R] supports as input RIFF WAVE, Wave64, RF64, AIFF, FLAC or
+Ogg FLAC format, or raw interleaved samples.
+The decoder currently can output to RIFF WAVE, Wave64, RF64, or AIFF
+format, or raw interleaved samples.
+flac only supports linear PCM samples (in other words, no A-LAW, uLAW,
+etc.), and the input must be between 4 and 32 bits per sample.
+.PP
+flac assumes that files ending in \[lq].wav\[rq] or that have the RIFF
+WAVE header present are WAVE files, files ending in \[lq].w64\[rq] or
+have the Wave64 header present are Wave64 files, files ending in
+\[lq].rf64\[rq] or have the RF64 header present are RF64 files, files
+ending in \[lq].aif\[rq] or \[lq].aiff\[rq] or have the AIFF header
+present are AIFF files, files ending in \[lq].flac\[rq] or have the FLAC
+header present are FLAC files and files ending in \[lq].oga\[rq] or
+\[lq].ogg\[rq] or have the Ogg FLAC header present are Ogg FLAC files.
+.PP
+Other than this, flac makes no assumptions about file extensions, though
+the convention is that FLAC files have the extension \[lq].flac\[rq] (or
+\[lq].fla\[rq] on ancient \[lq]8.3\[rq] file systems like FAT-16).
+.PP
+Before going into the full command-line description, a few other things
+help to sort it out: 1.
+flac encodes by default, so you must use -d to decode 2.
+the options -0 ..
+-8 (or \[en]fast and \[en]best) that control the compression level
+actually are just synonyms for different groups of specific encoding
+options (described later) and you can get the same effect by using the
+same options.
+When specific options are specified they take priority over the
+compression level no matter the order 3.
+flac behaves similarly to gzip in the way it handles input and output
+files 4.
+the order in which options are specified is generally not important
+.PP
+Skip to the examples below for examples of some common tasks.
+.PP
+flac will be invoked one of four ways, depending on whether you are
+encoding, decoding, testing, or analyzing.
+Encoding is the default invocation, but can be switch to decoding with
+\f[B]-d\f[R], analysis with \f[B]-a\f[R] or testing with \f[B]-t\f[R].
+Depending on which way is chosen, encoding, decoding, analysis or
+testing options can be used, see section OPTIONS for details.
+General options can be used for all.
+.PP
+If only one inputfile is specified, it may be \[lq]-\[rq] for stdin.
+When stdin is used as input, flac will write to stdout.
+Otherwise flac will perform the desired operation on each input file to
+similarly named output files (meaning for encoding, the extension will
+be replaced with \[lq].flac\[rq], or appended with \[lq].flac\[rq] if
+the input file has no extension, and for decoding, the extension will be
+\[lq].wav\[rq] for WAVE output and \[lq].raw\[rq] for raw output).
+The original file is not deleted unless \[en]delete-input-file is
+specified.
+.PP
+If you are encoding/decoding from stdin to a file, you should use the -o
+option like so:
+.IP
+.nf
+\f[C]
+flac [options] -o outputfile
+flac -d [options] -o outputfile
+\f[R]
+.fi
+.PP
+which are better than:
+.IP
+.nf
+\f[C]
+flac [options] > outputfile
+flac -d [options] > outputfile
+\f[R]
+.fi
+.PP
+since the former allows flac to seek backwards to write the STREAMINFO
+or RIFF WAVE header contents when necessary.
+.PP
+Also, you can force output data to go to stdout using -c.
+.PP
+To encode or decode files that start with a dash, use \[en] to signal
+the end of options, to keep the filenames themselves from being treated
+as options:
+.IP
+.nf
+\f[C]
+flac -V -- -01-filename.wav
+\f[R]
+.fi
+.PP
+The encoding options affect the compression ratio and encoding speed.
+The format options are used to tell flac the arrangement of samples if
+the input file (or output file when decoding) is a raw file.
+If it is a RIFF WAVE, Wave64, RF64, or AIFF file the format options are
+not needed since they are read from the file\[cq]s header.
+.PP
+In test mode, flac acts just like in decode mode, except no output file
+is written.
+Both decode and test modes detect errors in the stream, but they also
+detect when the MD5 signature of the decoded audio does not match the
+stored MD5 signature, even when the bitstream is valid.
+.PP
+flac can also re-encode FLAC files.
+In other words, you can specify a FLAC or Ogg FLAC file as an input to
+the encoder and it will decoder it and re-encode it according to the
+options you specify.
+It will also preserve all the metadata unless you override it with other
+options (e.g.
+specifying new tags, seekpoints, cuesheet, padding, etc.).
+.PP
+flac has been tuned so that the default settings yield a good speed vs.
+compression tradeoff for many kinds of input.
+However, if you are looking to maximize the compression rate or speed,
+or want to use the full power of FLAC\[cq]s metadata system, see the
+page titled `About the FLAC Format' on the FLAC website.
+.SH EXAMPLES
+.PP
+Some common \f[B]encoding\f[R] tasks using flac:
+.TP
+\f[V]flac abc.wav\f[R]
+Encode abc.wav to abc.flac using the default compression setting.
+abc.wav is not deleted.
+.TP
+\f[V]flac --delete-input-file abc.wav\f[R]
+Like above, except abc.wav is deleted if there were no errors.
+.TP
+\f[V]flac --delete-input-file -w abc.wav\f[R]
+Like above, except abc.wav is deleted if there were no errors or
+warnings.
+.TP
+\f[V]flac --best abc.wav\f[R]
+Encode abc.wav to abc.flac using the highest compression setting.
+.TP
+\f[V]flac --verify abc.wav\f[R]
+Encode abc.wav to abc.flac and internally decode abc.flac to make sure
+it matches abc.wav.
+.TP
+\f[V]flac -o my.flac abc.wav\f[R]
+Encode abc.wav to my.flac.
+.TP
+\f[V]flac -T \[dq]TITLE=Bohemian Rhapsody\[dq] -T \[dq]ARTIST=Queen\[dq] abc.wav\f[R]
+Encode abc.wav and add some tags at the same time to abc.flac.
+.TP
+\f[V]flac *.wav\f[R]
+Encode all .wav files in the current directory.
+.TP
+\f[V]flac abc.aiff\f[R]
+Encode abc.aiff to abc.flac.
+.TP
+\f[V]flac abc.rf64\f[R]
+Encode abc.rf64 to abc.flac.
+.TP
+\f[V]flac abc.w64\f[R]
+Encode abc.w64 to abc.flac.
+.TP
+\f[V]flac abc.flac --force\f[R]
+This one\[cq]s a little tricky: notice that flac is in encode mode by
+default (you have to specify -d to decode) so this command actually
+recompresses abc.flac back to abc.flac.
+\[en]force is needed to make sure you really want to overwrite abc.flac
+with a new version.
+Why would you want to do this?
+It allows you to recompress an existing FLAC file with (usually) higher
+compression options or a newer version of FLAC and preserve all the
+metadata like tags too.
+.PP
+Some common \f[B]decoding\f[R] tasks using flac:
+.TP
+\f[V]flac -d abc.flac\f[R]
+Decode abc.flac to abc.wav.
+abc.flac is not deleted.
+NOTE: Without -d it means re-encode abc.flac to abc.flac (see above).
+.PP
+\f[V]flac -d --force-aiff-format abc.flac\f[R]
+.PD 0
+.P
+.PD
+\f[V]flac -d -o abc.aiff abc.flac\f[R] : Two different ways of decoding
+abc.flac to abc.aiff (AIFF format).
+abc.flac is not deleted.
+.PP
+\f[V]flac -d --force-rf64-format abc.flac\f[R]
+.PD 0
+.P
+.PD
+\f[V]flac -d -o abc.rf64 abc.flac\f[R] : Two different ways of decoding
+abc.flac to abc.rf64 (RF64 format).
+abc.flac is not deleted.
+.PP
+\f[V]flac -d --force-wave64-format abc.flac\f[R]
+.PD 0
+.P
+.PD
+\f[V]flac -d -o abc.w64 abc.flac\f[R] : Two different ways of decoding
+abc.flac to abc.w64 (Wave64 format).
+abc.flac is not deleted.
+.TP
+\f[V]flac -d -F abc.flac\f[R]
+Decode abc.flac to abc.wav and don\[cq]t abort if errors are found
+(useful for recovering as much as possible from corrupted files).
+.SH OPTIONS
+.PP
+A summary of options is included below.
+For a complete description, see the HTML documentation.
+.SS GENERAL OPTIONS
+.TP
+\f[B]-v, --version\f[R]
+Show the flac version number
+.TP
+\f[B]-h, --help\f[R]
+Show basic usage and a list of all options
+.TP
+\f[B]-H, --explain\f[R]
+Show detailed explanation of usage and all options
+.TP
+\f[B]-d, --decode\f[R]
+Decode (the default behavior is to encode)
+.TP
+\f[B]-t, --test\f[R]
+Test a flac encoded file (same as -d except no decoded file is written)
+.TP
+\f[B]-a, --analyze\f[R]
+Analyze a FLAC encoded file (same as -d except an analysis file is
+written)
+.TP
+\f[B]-c, --stdout\f[R]
+Write output to stdout
+.TP
+\f[B]-s, --silent\f[R]
+Silent mode (do not write runtime encode/decode statistics to stderr)
+.TP
+\f[B]--totally-silent\f[R]
+Do not print anything of any kind, including warnings or errors.
+The exit code will be the only way to determine successful completion.
+.TP
+\f[B]--no-utf8-convert\f[R]
+Do not convert tags from local charset to UTF-8.
+This is useful for scripts, and setting tags in situations where the
+locale is wrong.
+This option must appear before any tag options!
+.TP
+\f[B]-w, --warnings-as-errors\f[R]
+Treat all warnings as errors (which cause flac to terminate with a
+non-zero exit code).
+.TP
+\f[B]-f, --force\f[R]
+Force overwriting of output files.
+By default, flac warns that the output file already exists and continues
+to the next file.
+.TP
+\f[B]-o\f[R] \f[I]filename\f[R]\f[B], --output-name=\f[R]\f[I]filename\f[R]
+Force the output file name (usually flac just changes the extension).
+May only be used when encoding a single file.
+May not be used in conjunction with --output-prefix.
+.TP
+\f[B]--output-prefix=\f[R]\f[I]string\f[R]
+Prefix each output file name with the given string.
+This can be useful for encoding or decoding files to a different
+directory.
+Make sure if your string is a path name that it ends with a trailing
+\[ga]/\[cq] (slash).
+.TP
+\f[B]--delete-input-file\f[R]
+Automatically delete the input file after a successful encode or decode.
+If there was an error (including a verify error) the input file is left
+intact.
+.TP
+\f[B]--preserve-modtime\f[R]
+Output files have their timestamps/permissions set to match those of
+their inputs (this is default).
+Use --no-preserve-modtime to make output files have the current time and
+default permissions.
+.TP
+\f[B]--keep-foreign-metadata\f[R]
+If encoding, save WAVE, RF64, or AIFF non-audio chunks in FLAC metadata.
+If decoding, restore any saved non-audio chunks from FLAC metadata when
+writing the decoded file.
+Foreign metadata cannot be transcoded, e.g.\ WAVE chunks saved in a FLAC
+file cannot be restored when decoding to AIFF.
+Input and output must be regular files (not stdin or stdout).
+.TP
+\f[B]--keep-foreign-metadata-if-present\f[R]
+Like --keep-foreign-metadata, but without throwing an error if foreign
+metadata cannot be found or restored, instead printing a warning.
+.TP
+\f[B]--skip={\f[R]\f[I]#\f[R]\f[B]|\f[R]\f[I]mm:ss.ss\f[R]\f[B]}\f[R]
+Skip over the first number of samples of the input.
+This works for both encoding and decoding, but not testing.
+The alternative form mm:ss.ss can be used to specify minutes, seconds,
+and fractions of a second.
+.TP
+\f[B]--until={\f[R]\f[I]#\f[R]\f[B]|[\f[R]\f[I]+\f[R]\f[B]|\f[R]\f[I]-\f[R]\f[B]]\f[R]\f[I]mm:ss.ss\f[R]\f[B]}\f[R]
+Stop at the given sample number for each input file.
+This works for both encoding and decoding, but not testing.
+The given sample number is not included in the decoded output.
+The alternative form mm:ss.ss can be used to specify minutes, seconds,
+and fractions of a second.
+If a \[ga]+\[cq] (plus) sign is at the beginning, the --until point is
+relative to the --skip point.
+If a \[ga]-\[cq] (minus) sign is at the beginning, the --until point is
+relative to end of the audio.
+.TP
+\f[B]--ogg\f[R]
+When encoding, generate Ogg FLAC output instead of native FLAC.
+Ogg FLAC streams are FLAC streams wrapped in an Ogg transport layer.
+The resulting file should have an `.oga' extension and will still be
+decodable by flac.
+When decoding, force the input to be treated as Ogg FLAC.
+This is useful when piping input from stdin or when the filename does
+not end in `.oga' or `.ogg'.
+.TP
+\f[B]--serial-number=\f[R]\f[I]#\f[R]
+When used with --ogg, specifies the serial number to use for the first
+Ogg FLAC stream, which is then incremented for each additional stream.
+When encoding and no serial number is given, flac uses a random number
+for the first stream, then increments it for each additional stream.
+When decoding and no number is given, flac uses the serial number of the
+first page.
+.SS ANALYSIS OPTIONS
+.TP
+\f[B]--residual-text\f[R]
+Includes the residual signal in the analysis file.
+This will make the file very big, much larger than even the decoded
+file.
+.TP
+\f[B]--residual-gnuplot\f[R]
+Generates a gnuplot file for every subframe; each file will contain the
+residual distribution of the subframe.
+This will create a lot of files.
+.SS DECODING OPTIONS
+.TP
+\f[B]--cue=[\f[R]\f[I]#.#\f[R]\f[B]][-[\f[R]\f[I]#.#\f[R]\f[B]]]\f[R]
+Set the beginning and ending cuepoints to decode.
+The optional first #.# is the track and index point at which decoding
+will start; the default is the beginning of the stream.
+The optional second #.# is the track and index point at which decoding
+will end; the default is the end of the stream.
+If the cuepoint does not exist, the closest one before it (for the start
+point) or after it (for the end point) will be used.
+If those don\[cq]t exist, the start of the stream (for the start point)
+or end of the stream (for the end point) will be used.
+The cuepoints are merely translated into sample numbers then used as
+--skip and --until.
+A CD track can always be cued by, for example, --cue=9.1-10.1 for track
+9, even if the CD has no 10th track.
+.TP
+\f[B]-F, --decode-through-errors\f[R]
+By default flac stops decoding with an error and removes the partially
+decoded file if it encounters a bitstream error.
+With -F, errors are still printed but flac will continue decoding to
+completion.
+Note that errors may cause the decoded audio to be missing some samples
+or have silent sections.
+.TP
+\f[B]--apply-replaygain-which-is-not-lossless[=<specification>]\f[R]
+Applies ReplayGain values while decoding.
+\f[B]WARNING: THIS IS NOT LOSSLESS.
+DECODED AUDIO WILL NOT BE IDENTICAL TO THE ORIGINAL WITH THIS
+OPTION.\f[R] This option is useful for example in transcoding media
+servers, where the client does not support ReplayGain.
+For details on the use of this option, see the section \f[B]ReplayGain
+application specification\f[R].
+.SS ENCODING OPTIONS
+.TP
+\f[B]-V, --verify\f[R]
+Verify a correct encoding by decoding the output in parallel and
+comparing to the original
+.TP
+\f[B]--lax\f[R]
+Allow encoder to generate non-Subset files.
+The resulting FLAC file may not be streamable or might have trouble
+being played in all players (especially hardware devices), so you should
+only use this option in combination with custom encoding options meant
+for archival.
+.TP
+\f[B]--replay-gain\f[R]
+Calculate ReplayGain values and store them as FLAC tags, similar to
+vorbisgain.
+Title gains/peaks will be computed for each input file, and an album
+gain/peak will be computed for all files.
+All input files must have the same resolution, sample rate, and number
+of channels.
+Only mono and stereo files are allowed, and the sample rate must be one
+of 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, or 48 kHz.
+Also note that this option may leave a few extra bytes in a PADDING
+block as the exact size of the tags is not known until all files are
+processed.
+Note that this option cannot be used when encoding to standard output
+(stdout).
+.TP
+\f[B]--cuesheet=\f[R]\f[I]filename\f[R]
+Import the given cuesheet file and store it in a CUESHEET metadata
+block.
+This option may only be used when encoding a single file.
+A seekpoint will be added for each index point in the cuesheet to the
+SEEKTABLE unless --no-cued-seekpoints is specified.
+.TP
+\f[B]--picture={\f[R]\f[I]FILENAME\f[R]\f[B]|\f[R]\f[I]SPECIFICATION\f[R]\f[B]}\f[R]
+Import a picture and store it in a PICTURE metadata block.
+More than one --picture option can be specified.
+Either a filename for the picture file or a more complete specification
+form can be used.
+The SPECIFICATION is a string whose parts are separated by | (pipe)
+characters.
+Some parts may be left empty to invoke default values.
+FILENAME is just shorthand for \[lq]||||FILENAME\[rq].
+For the format of SPECIFICATION, see the section \f[B]picture
+specification\f[R].
+.TP
+\f[B]--sector-align\f[R]
+Align encoding of multiple CD format files on sector boundaries.
+See the HTML documentation for more information.
+This option is DEPRECATED and may not exist in future versions of flac.
+.TP
+\f[B]--ignore-chunk-sizes\f[R]
+When encoding to flac, ignore the file size headers in WAV and AIFF
+files to attempt to work around problems with over-sized or malformed
+files.
+WAV and AIFF files both have an unsigned 32 bit numbers in the file
+header which specifes the length of audio data.
+Since this number is unsigned 32 bits, that limits the size of a valid
+file to being just over 4 Gigabytes.
+Files larger than this are mal-formed, but should be read correctly
+using this option.
+.TP
+\f[B]-S {\f[R]\f[I]#\f[R]\f[B]|\f[R]\f[I]X\f[R]\f[B]|\f[R]\f[I]#x\f[R]\f[B]|\f[R]\f[I]#s\f[R]\f[B]}, --seekpoint={\f[R]\f[I]#\f[R]\f[B]|\f[R]\f[I]X\f[R]\f[B]|\f[R]\f[I]#x\f[R]\f[B]|\f[R]\f[I]#s\f[R]\f[B]}\f[R]
+Include a point or points in a SEEKTABLE.
+Using #, a seek point at that sample number is added.
+Using X, a placeholder point is added at the end of a the table.
+Using #x, # evenly spaced seek points will be added, the first being at
+sample 0.
+Using #s, a seekpoint will be added every # seconds (# does not have to
+be a whole number; it can be, for example, 9.5, meaning a seekpoint
+every 9.5 seconds).
+You may use many -S options; the resulting SEEKTABLE will be the
+unique-ified union of all such values.
+With no -S options, flac defaults to `-S 10s'.
+Use --no-seektable for no SEEKTABLE.
+Note: `-S #x' and `-S #s' will not work if the encoder can\[cq]t
+determine the input size before starting.
+Note: if you use `-S #' and # is >= samples in the input, there will be
+either no seek point entered (if the input size is determinable before
+encoding starts) or a placeholder point (if input size is not
+determinable).
+.TP
+\f[B]-P\f[R] \f[I]#\f[R]\f[B], --padding=\f[R]\f[I]#\f[R]
+Tell the encoder to write a PADDING metadata block of the given length
+(in bytes) after the STREAMINFO block.
+This is useful if you plan to tag the file later with an APPLICATION
+block; instead of having to rewrite the entire file later just to insert
+your block, you can write directly over the PADDING block.
+Note that the total length of the PADDING block will be 4 bytes longer
+than the length given because of the 4 metadata block header bytes.
+You can force no PADDING block at all to be written with --no-padding.
+The encoder writes a PADDING block of 8192 bytes by default (or 65536
+bytes if the input audio stream is more that 20 minutes long).
+.TP
+\f[B]-T\f[R] \f[I]FIELD=VALUE\f[R]\f[B], --tag=\f[R]\f[I]FIELD=VALUE\f[R]
+Add a FLAC tag.
+The comment must adhere to the Vorbis comment spec; i.e.\ the FIELD must
+contain only legal characters, terminated by an `equals' sign.
+Make sure to quote the comment if necessary.
+This option may appear more than once to add several comments.
+NOTE: all tags will be added to all encoded files.
+.TP
+\f[B]--tag-from-file=\f[R]\f[I]FIELD=FILENAME\f[R]
+Like --tag, except FILENAME is a file whose contents will be read
+verbatim to set the tag value.
+The contents will be converted to UTF-8 from the local charset.
+This can be used to store a cuesheet in a tag
+(e.g.\ --tag-from-file=\[lq]CUESHEET=image.cue\[rq]).
+Do not try to store binary data in tag fields!
+Use APPLICATION blocks for that.
+.TP
+\f[B]-b\f[R] \f[I]#\f[R]\f[B], --blocksize=\f[R]\f[I]#\f[R]
+Specify the blocksize in samples.
+The default is 1152 for -l 0, else 4096.
+For subset streams this must be <= 4608 if the samplerate <= 48kHz, for
+subset streams with higher samplerates it must be <= 16384.
+.TP
+\f[B]-m, --mid-side\f[R]
+Try mid-side coding for each frame (stereo input only)
+.TP
+\f[B]-M, --adaptive-mid-side\f[R]
+Adaptive mid-side coding for all frames (stereo input only)
+.TP
+\f[B]-0..-8, --compression-level-0..--compression-level-8\f[R]
+Fastest compression..highest compression (default is -5).
+These are synonyms for other options:
+.TP
+\f[B]-0, --compression-level-0\f[R]
+Synonymous with -l 0 -b 1152 -r 3 --no-mid-side
+.TP
+\f[B]-1, --compression-level-1\f[R]
+Synonymous with -l 0 -b 1152 -M -r 3
+.TP
+\f[B]-2, --compression-level-2\f[R]
+Synonymous with -l 0 -b 1152 -m -r 3
+.TP
+\f[B]-3, --compression-level-3\f[R]
+Synonymous with -l 6 -b 4096 -r 4 --no-mid-side
+.TP
+\f[B]-4, --compression-level-4\f[R]
+Synonymous with -l 8 -b 4096 -M -r 4
+.TP
+\f[B]-5, --compression-level-5\f[R]
+Synonymous with -l 8 -b 4096 -m -r 5
+.TP
+\f[B]-6, --compression-level-6\f[R]
+Synonymous with -l 8 -b 4096 -m -r 6 -A subdivide_tukey(2)
+.TP
+\f[B]-7, --compression-level-7\f[R]
+Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(2)
+.TP
+\f[B]-8, --compression-level-8\f[R]
+Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(3)
+.TP
+\f[B]--fast\f[R]
+Fastest compression.
+Currently synonymous with -0.
+.TP
+\f[B]--best\f[R]
+Highest compression.
+Currently synonymous with -8.
+.TP
+\f[B]-e, --exhaustive-model-search\f[R]
+Do exhaustive model search (expensive!)
+.TP
+\f[B]-A\f[R] \f[I]function\f[R]\f[B], --apodization=\f[R]\f[I]function\f[R]
+Window audio data with given the apodization function.
+See section \f[B]Apodization functions\f[R] for details.
+.TP
+\f[B]-l\f[R] \f[I]#\f[R]\f[B], --max-lpc-order=\f[R]\f[I]#\f[R]
+Specifies the maximum LPC order.
+This number must be <= 32.
+For subset streams, it must be <=12 if the sample rate is <=48kHz.
+If 0, the encoder will not attempt generic linear prediction, and use
+only fixed predictors.
+Using fixed predictors is faster but usually results in files being
+5-10% larger.
+.TP
+\f[B]-p, --qlp-coeff-precision-search\f[R]
+Do exhaustive search of LP coefficient quantization (expensive!).
+Overrides -q; does nothing if using -l 0
+.TP
+\f[B]-q\f[R] \f[I]#\f[R]\f[B], --qlp-coeff-precision=\f[R]\f[I]#\f[R]
+Precision of the quantized linear-predictor coefficients, 0 => let
+encoder decide (min is 5, default is 0)
+.TP
+\f[B]-r [\f[R]\f[I]#\f[R]\f[B],]\f[R]\f[I]#\f[R]\f[B], --rice-partition-order=[\f[R]\f[I]#\f[R]\f[B],]\f[R]\f[I]#\f[R]
+Set the [min,]max residual partition order (0..15).
+min defaults to 0 if unspecified.
+Default is -r 5.
+.SS FORMAT OPTIONS
+.TP
+\f[B]--endian={\f[R]\f[I]big\f[R]\f[B]|\f[R]\f[I]little\f[R]\f[B]}\f[R]
+Set the byte order for samples
+.TP
+\f[B]--channels=\f[R]\f[I]#\f[R]
+Set number of channels.
+.TP
+\f[B]--bps=\f[R]\f[I]#\f[R]
+Set bits per sample.
+.TP
+\f[B]--sample-rate=\f[R]\f[I]#\f[R]
+Set sample rate (in Hz).
+.TP
+\f[B]--sign={\f[R]\f[I]signed\f[R]\f[B]|\f[R]\f[I]unsigned\f[R]\f[B]}\f[R]
+Set the sign of samples (the default is signed).
+.TP
+\f[B]--input-size=\f[R]\f[I]#\f[R]
+Specify the size of the raw input in bytes.
+If you are encoding raw samples from stdin, you must set this option in
+order to be able to use --skip, --until, --cuesheet, or other options
+that need to know the size of the input beforehand.
+If the size given is greater than what is found in the input stream, the
+encoder will complain about an unexpected end-of-file.
+If the size given is less, samples will be truncated.
+.TP
+\f[B]--force-raw-format\f[R]
+Force input (when encoding) or output (when decoding) to be treated as
+raw samples (even if filename ends in \f[I].wav\f[R]).
+.TP
+\f[B]--force-aiff-format\f[R]
+Force the decoder to output AIFF format.
+This option is not needed if the output filename (as set by -o) ends
+with \f[I].aif\f[R] or \f[I].aiff\f[R].
+Also, this option has no effect when encoding since input AIFF is
+auto-detected.
+.TP
+\f[B]--force-rf64-format\f[R]
+Force the decoder to output RF64 format.
+This option is not needed if the output filename (as set by -o) ends
+with \f[I].rf64\f[R].
+Also, this option has no effect when encoding since input RF64 is
+auto-detected.
+.TP
+\f[B]--force-wave64-format\f[R]
+Force the decoder to output Wave64 format.
+This option is not needed if the output filename (as set by -o) ends
+with \f[I].w64\f[R].
+Also, this option has no effect when encoding since input Wave64 is
+auto-detected.
+.SS NEGATIVE OPTIONS
+.PP
+\f[B]--no-adaptive-mid-side\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-cued-seekpoints\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-decode-through-errors\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-delete-input-file\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-preserve-modtime\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-keep-foreign-metadata\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-exhaustive-model-search\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-force\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-lax\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-mid-side\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-ogg\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-padding\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-qlp-coeff-prec-search\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-replay-gain\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-residual-gnuplot\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-residual-text\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-sector-align\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-seektable\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-silent\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-verify\f[R]
+.PD 0
+.P
+.PD
+\f[B]--no-warnings-as-errors\f[R]
+.PP
+These flags can be used to invert the sense of the corresponding normal
+option.
+.SS ReplayGain application specification
+.PP
+The option
+--apply-replaygain-which-is-not-lossless[=<specification>]\f[B] applies
+ReplayGain values while decoding.
+\f[R]WARNING: THIS IS NOT LOSSLESS.
+DECODED AUDIO WILL NOT BE IDENTICAL TO THE ORIGINAL WITH THIS OPTION.**
+This option is useful for example in transcoding media servers, where
+the client does not support ReplayGain.
+.PP
+The equals sign and <specification> is optional.
+If omitted, the default specification is 0aLn1.
+.PP
+The <specification> is a shorthand notation for describing how to apply
+ReplayGain.
+All components are optional but order is important.
+`[]' means `optional'.
+`|' means `or'.
+`{}' means required.
+The format is:
+.PP
+[<preamp>][a|t][l|L][n{0|1|2|3}]
+.PP
+In which the following parameters are used:
+.IP \[bu] 2
+\f[B]preamp\f[R]: A floating point number in dB.
+This is added to the existing gain value.
+.IP \[bu] 2
+\f[B]a|t\f[R]: Specify `a' to use the album gain, or `t' to use the
+track gain.
+If tags for the preferred kind (album/track) do not exist but tags for
+the other (track/album) do, those will be used instead.
+.IP \[bu] 2
+\f[B]l|L\f[R]: Specify `l' to peak-limit the output, so that the
+ReplayGain peak value is full-scale.
+Specify `L' to use a 6dB hard limiter that kicks in when the signal
+approaches full-scale.
+.IP \[bu] 2
+\f[B]n{0|1|2|3}\f[R]: Specify the amount of noise shaping.
+ReplayGain synthesis happens in floating point; the result is dithered
+before converting back to integer.
+This quantization adds noise.
+Noise shaping tries to move the noise where you won\[cq]t hear it as
+much.
+0 means no noise shaping, 1 means `low', 2 means `medium', 3 means
+`high'.
+.PP
+For example, the default of 0aLn1 means 0dB preamp, use album gain, 6dB
+hard limit, low noise shaping.
+--apply-replaygain-which-is-not-lossless=3 means 3dB preamp, use album
+gain, no limiting, no noise shaping.
+.PP
+flac uses the ReplayGain tags for the calculation.
+If a stream does not have the required tags or they can\[cq]t be parsed,
+decoding will continue with a warning, and no ReplayGain is applied to
+that stream.
+.SS Picture specification
+.PP
+This described the specification used for the \f[B]--picture\f[R]
+option.
+[TYPE]|[MIME-TYPE]|[DESCRIPTION]|[WIDTHxHEIGHTxDEPTH[/COLORS]]|FILE
+.PP
+TYPE is optional; it is a number from one of:
+.IP " 0." 4
+Other
+.IP " 1." 4
+32x32 pixels `file icon' (PNG only)
+.IP " 2." 4
+Other file icon
+.IP " 3." 4
+Cover (front)
+.IP " 4." 4
+Cover (back)
+.IP " 5." 4
+Leaflet page
+.IP " 6." 4
+Media (e.g.\ label side of CD)
+.IP " 7." 4
+Lead artist/lead performer/soloist
+.IP " 8." 4
+Artist/performer
+.IP " 9." 4
+Conductor
+.IP "10." 4
+Band/Orchestra
+.IP "11." 4
+Composer
+.IP "12." 4
+Lyricist/text writer
+.IP "13." 4
+Recording Location
+.IP "14." 4
+During recording
+.IP "15." 4
+During performance
+.IP "16." 4
+Movie/video screen capture
+.IP "17." 4
+A bright coloured fish
+.IP "18." 4
+Illustration
+.IP "19." 4
+Band/artist logotype
+.IP "20." 4
+Publisher/Studio logotype
+.PP
+The default is 3 (front cover).
+There may only be one picture each of type 1 and 2 in a file.
+.PP
+MIME-TYPE is optional; if left blank, it will be detected from the file.
+For best compatibility with players, use pictures with MIME type
+image/jpeg or image/png.
+The MIME type can also be --> to mean that FILE is actually a URL to an
+image, though this use is discouraged.
+.PP
+DESCRIPTION is optional; the default is an empty string.
+.PP
+The next part specifies the resolution and color information.
+If the MIME-TYPE is image/jpeg, image/png, or image/gif, you can usually
+leave this empty and they can be detected from the file.
+Otherwise, you must specify the width in pixels, height in pixels, and
+color depth in bits-per-pixel.
+If the image has indexed colors you should also specify the number of
+colors used.
+When manually specified, it is not checked against the file for
+accuracy.
+.PP
+FILE is the path to the picture file to be imported, or the URL if MIME
+type is -->
+.PP
+For example, \[lq]|image/jpeg|||../cover.jpg\[rq] will embed the JPEG
+file at ../cover.jpg, defaulting to type 3 (front cover) and an empty
+description.
+The resolution and color info will be retrieved from the file itself.
+.PP
+The specification
+\[lq]4|-->|CD|320x300x24/173|http://blah.blah/backcover.tiff\[rq] will
+embed the given URL, with type 4 (back cover), description \[lq]CD\[rq],
+and a manually specified resolution of 320x300, 24 bits-per-pixel, and
+173 colors.
+The file at the URL will not be fetched; the URL itself is stored in the
+PICTURE metadata block.
+.SS Apodization functions
+.PP
+To improve LPC analysis, audio data is windowed .
+The window can be selected with one or more \f[B]-A\f[R] options.
+Possible functions are: bartlett, bartlett_hann, blackman,
+blackman_harris_4term_92db, connes, flattop, gauss(STDDEV), hamming,
+hann, kaiser_bessel, nuttall, rectangle, triangle, tukey(P),
+partial_tukey(n[/ov[/P]]), punchout_tukey(n[/ov[/P]]),
+subdivide_tukey(n[/P]) welch.
+.IP \[bu] 2
+For gauss(STDDEV), STDDEV is the standard deviation (0<STDDEV<=0.5).
+.IP \[bu] 2
+For tukey(P), P specifies the fraction of the window that is tapered
+(0<=P<=1; P=0 corresponds to \[lq]rectangle\[rq] and P=1 corresponds to
+\[lq]hann\[rq]).
+.IP \[bu] 2
+For partial_tukey(n) and punchout_tukey(n), n apodization functions are
+added that span different parts of each block.
+Values of 2 to 6 seem to yield sane results.
+If necessary, an overlap can be specified, as can be the taper
+parameter, for example partial_tukey(2/0.2) or partial_tukey(2/0.2/0.5).
+ov should be smaller than 1 and can be negative.
+The use of this is that different parts of a block are ignored as the
+might contain transients which are hard to predict anyway.
+The encoder will try each different added apodization (each covering a
+different part of the block) to see which resulting predictor results in
+the smallest representation.
+.IP \[bu] 2
+subdivide_tukey(n) is a more efficient reimplementation of partial_tukey
+and punchout_tukey taken together, recycling as much data as possible.
+It combines all possible non-redundant partial_tukey(n) and
+punchout_tukey(n) up to the n specified.
+Specifying subdivide_tukey(3) is equivalent to specifying tukey,
+partial_tukey(2), partial_tukey(3) and punchout_tukey(3), specifying
+subdivide_tukey(5) equivalently adds partial_tukey(4),
+punchout_tukey(4), partial_tukey(5) and punchout_tukey(5).
+To be able to reuse data as much as possible, the tukey taper is taken
+equal for all windows, and the P specified is applied for the smallest
+used window.
+In other words, subdivide_tukey(2/0.5) results in a taper equal to that
+of tukey(0.25) and subdivide_tukey(5) in a taper equal to that of
+tukey(0.1).
+The default P for subdivide_tukey when none is specified is 0.5.
+.PP
+Note that P, STDDEV and ov are locale specific, so a comma as decimal
+separator might be required instead of a dot.
+Use scientific notation for a locale-independent specification, for
+example tukey(5e-1) instead of tukey(0.5) or tukey(0,5).
+.PP
+More than one -A option (up to 32) may be used.
+Any function that is specified erroneously is silently dropped.
+The encoder chooses suitable defaults in the absence of any -A options;
+any -A option specified replaces the default(s).
+.PP
+When more than one function is specified, then for every subframe the
+encoder will try each of them separately and choose the window that
+results in the smallest compressed subframe.
+Multiple functions can greatly increase the encoding time.
+.SH SEE ALSO
+.PP
+\f[B]metaflac(1)\f[R]
+.SH AUTHOR
+.PP
+This manual page was initially written by Matt Zimmerman
+<mdz\[at]debian.org> for the Debian GNU/Linux system (but may be used by
+others).
+It has been kept up-to-date by the Xiph.org Foundation.
Index: flac-1.4.2-new/man/metaflac.1
===================================================================
--- flac-1.4.2-new/man/metaflac.1	(nonexistent)
+++ flac-1.4.2-new/man/metaflac.1	(revision 5)
@@ -0,0 +1,304 @@
+.\" Automatically generated by Pandoc 2.19.2
+.\"
+.\" Define V font for inline verbatim, using C font in formats
+.\" that render this, and otherwise B font.
+.ie "\f[CB]x\f[]"x" \{\
+. ftr V B
+. ftr VI BI
+. ftr VB B
+. ftr VBI BI
+.\}
+.el \{\
+. ftr V CR
+. ftr VI CI
+. ftr VB CB
+. ftr VBI CBI
+.\}
+.TH "metaflac" "1" "" "Version 1.4.2" "Free Lossless Audio Codec metadata tool"
+.hy
+.SH NAME
+.PP
+metaflac - program to list, add, remove, or edit metadata in one or more
+FLAC files.
+.SH SYNOPSIS
+.PP
+\f[B]metaflac\f[R] [ \f[I]options\f[R] ] [ \f[I]operations\f[R] ]
+\f[I]FLACfile \&...\f[R]
+.SH DESCRIPTION
+.PP
+Use \f[B]metaflac\f[R] to list, add, remove, or edit metadata in one or
+more FLAC files.
+You may perform one major operation, or many shorthand operations at a
+time.
+.SH GENERAL USAGE
+.PP
+metaflac is the command-line .flac file metadata editor.
+You can use it to list the contents of metadata blocks, edit, delete or
+insert blocks, and manage padding.
+.PP
+metaflac takes a set of \[lq]options\[rq] (though some are not optional)
+and a set of FLAC files to operate on.
+There are three kinds of \[lq]options\[rq]:
+.IP \[bu] 2
+Major operations, which specify a mode of operation like listing blocks,
+removing blocks, etc.
+These will have sub-operations describing exactly what is to be done.
+.IP \[bu] 2
+Shorthand operations, which are convenient synonyms for major
+operations.
+For example, there is a shorthand operation \[en]show-sample-rate that
+shows just the sample rate field from the STREAMINFO metadata block.
+.IP \[bu] 2
+Global options, which affect all the operations.
+.PP
+All of these are described in the tables below.
+At least one shorthand or major operation must be supplied.
+You can use multiple shorthand operations to do more than one thing to a
+file or set of files.
+Most of the common things to do to metadata have shorthand operations.
+As an example, here is how to show the MD5 signatures for a set of three
+FLAC files:
+.PP
+\f[V]metaflac --show-md5sum file1.flac file2.flac file3.flac\f[R]
+.PP
+Another example; this removes all DESCRIPTION and COMMENT tags in a set
+of FLAC files, and uses the \[en]preserve-modtime global option to keep
+the FLAC file modification times the same (usually when files are edited
+the modification time is set to the current time):
+.PP
+\f[V]metaflac --preserve-modtime --remove-tag=DESCRIPTION --remove-tag=COMMENT file1.flac file2.flac file3.flac\f[R]
+.SH OPTIONS
+.TP
+\f[B]--preserve-modtime\f[R]
+Preserve the original modification time in spite of edits.
+.TP
+\f[B]--with-filename\f[R]
+Prefix each output line with the FLAC file name (the default if more
+than one FLAC file is specified).
+.TP
+\f[B]--no-filename\f[R]
+Do not prefix each output line with the FLAC file name (the default if
+only one FLAC file is specified).
+.TP
+\f[B]--no-utf8-convert\f[R]
+Do not convert tags from UTF-8 to local charset, or vice versa.
+This is useful for scripts, and setting tags in situations where the
+locale is wrong.
+.TP
+\f[B]--dont-use-padding\f[R]
+By default metaflac tries to use padding where possible to avoid
+rewriting the entire file if the metadata size changes.
+Use this option to tell metaflac to not take advantage of padding this
+way.
+.SH SHORTHAND OPERATIONS
+.TP
+\f[B]--show-md5sum\f[R]
+Show the MD5 signature from the STREAMINFO block.
+.TP
+\f[B]--show-min-blocksize\f[R]
+Show the minimum block size from the STREAMINFO block.
+.TP
+\f[B]--show-max-blocksize\f[R]
+Show the maximum block size from the STREAMINFO block.
+.TP
+\f[B]--show-min-framesize\f[R]
+Show the minimum frame size from the STREAMINFO block.
+.TP
+\f[B]--show-max-framesize\f[R]
+Show the maximum frame size from the STREAMINFO block.
+.TP
+\f[B]--show-sample-rate\f[R]
+Show the sample rate from the STREAMINFO block.
+.TP
+\f[B]--show-channels\f[R]
+Show the number of channels from the STREAMINFO block.
+.TP
+\f[B]--show-bps\f[R]
+Show the # of bits per sample from the STREAMINFO block.
+.TP
+\f[B]--show-total-samples\f[R]
+Show the total # of samples from the STREAMINFO block.
+.TP
+\f[B]--show-vendor-tag\f[R]
+Show the vendor string from the VORBIS_COMMENT block.
+.TP
+\f[B]--show-tag=name\f[R]
+Show all tags where the field name matches `name'.
+.TP
+\f[B]--remove-tag=name\f[R]
+Remove all tags whose field name is `name'.
+.TP
+\f[B]--remove-first-tag=name\f[R]
+Remove first tag whose field name is `name'.
+.TP
+\f[B]--remove-all-tags\f[R]
+Remove all tags, leaving only the vendor string.
+.TP
+\f[B]--set-tag=field\f[R]
+Add a tag.
+The field must comply with the Vorbis comment spec, of the form
+\[lq]NAME=VALUE\[rq].
+If there is currently no tag block, one will be created.
+.TP
+\f[B]--set-tag-from-file=field\f[R]
+Like --set-tag, except the VALUE is a filename whose contents will be
+read verbatim to set the tag value.
+Unless --no-utf8-convert is specified, the contents will be converted to
+UTF-8 from the local charset.
+This can be used to store a cuesheet in a tag (e.g.
+--set-tag-from-file=\[lq]CUESHEET=image.cue\[rq]).
+Do not try to store binary data in tag fields!
+Use APPLICATION blocks for that.
+.TP
+\f[B]--import-tags-from=file\f[R]
+Import tags from a file.
+Use `-' for stdin.
+Each line should be of the form NAME=VALUE.
+Multi-line comments are currently not supported.
+Specify --remove-all-tags and/or --no-utf8-convert before
+--import-tags-from if necessary.
+If FILE is `-' (stdin), only one FLAC file may be specified.
+.TP
+\f[B]--export-tags-to=file\f[R]
+Export tags to a file.
+Use `-' for stdout.
+Each line will be of the form NAME=VALUE.
+Specify --no-utf8-convert if necessary.
+.TP
+\f[B]--import-cuesheet-from=file\f[R]
+Import a cuesheet from a file.
+Use `-' for stdin.
+Only one FLAC file may be specified.
+A seekpoint will be added for each index point in the cuesheet to the
+SEEKTABLE unless --no-cued-seekpoints is specified.
+.TP
+\f[B]--export-cuesheet-to=file\f[R]
+Export CUESHEET block to a cuesheet file, suitable for use by CD
+authoring software.
+Use `-' for stdout.
+Only one FLAC file may be specified on the command line.
+.TP
+\f[B]--import-picture-from={\f[R]\f[I]FILENAME\f[R]\f[B]|\f[R]\f[I]SPECIFICATION\f[R]\f[B]}\f[R]
+Import a picture and store it in a PICTURE metadata block.
+More than one --import-picture-from command can be specified.
+Either a filename for the picture file or a more complete specification
+form can be used.
+The SPECIFICATION is a string whose parts are separated by | (pipe)
+characters.
+Some parts may be left empty to invoke default values.
+FILENAME is just shorthand for \[lq]||||FILENAME\[rq].
+For details on the specification, see the section \f[B]Picture
+specification\f[R] in the \f[B]flac(1)\f[R] man page.
+.TP
+\f[B]--export-picture-to=file\f[R]
+Export PICTURE block to a file.
+Use `-' for stdout.
+Only one FLAC file may be specified on the command line.
+The first PICTURE block will be exported unless --export-picture-to is
+preceded by a --block-number=# option to specify the exact metadata
+block to extract.
+Note that the block number is the one shown by --list.
+.TP
+\f[B]--add-replay-gain\f[R]
+Calculates the title and album gains/peaks of the given FLAC files as if
+all the files were part of one album, then stores them as FLAC tags.
+The tags are the same as those used by vorbisgain.
+Existing ReplayGain tags will be replaced.
+If only one FLAC file is given, the album and title gains will be the
+same.
+Since this operation requires two passes, it is always executed last,
+after all other operations have been completed and written to disk.
+All FLAC files specified must have the same resolution, sample rate, and
+number of channels.
+The sample rate must be one of 8, 11.025, 12, 16, 18.9, 22.05, 24, 28,
+32, 37.8, 44.1, 48, 56, 64, 88.2, 96, 112, 128, 144, 176.4, or 192kHz.
+.TP
+\f[B]--scan-replay-gain\f[R]
+Like --add-replay-gain, but only analyzes the files rather than writing
+them to the tags.
+.TP
+\f[B]--remove-replay-gain\f[R]
+Removes the ReplayGain tags.
+.TP
+\f[B]--add-seekpoint={\f[R]\f[I]#\f[R]\f[B]|\f[R]\f[I]X\f[R]\f[B]|\f[R]\f[I]#x\f[R]\f[B]|\f[R]\f[I]#s\f[R]\f[B]}\f[R]
+Add seek points to a SEEKTABLE block.
+Using #, a seek point at that sample number is added.
+Using X, a placeholder point is added at the end of a the table.
+Using #x, # evenly spaced seek points will be added, the first being at
+sample 0.
+Using #s, a seekpoint will be added every # seconds (# does not have to
+be a whole number; it can be, for example, 9.5, meaning a seekpoint
+every 9.5 seconds).
+If no SEEKTABLE block exists, one will be created.
+If one already exists, points will be added to the existing table, and
+any duplicates will be turned into placeholder points.
+You may use many --add-seekpoint options; the resulting SEEKTABLE will
+be the unique-ified union of all such values.
+Example: --add-seekpoint=100x --add-seekpoint=3.5s will add 100 evenly
+spaced seekpoints and a seekpoint every 3.5 seconds.
+.TP
+\f[B]--add-padding=length\f[R]
+Add a padding block of the given length (in bytes).
+The overall length of the new block will be 4 + length; the extra 4
+bytes is for the metadata block header.
+.SH MAJOR OPERATIONS
+.TP
+\f[B]--list\f[R]
+List the contents of one or more metadata blocks to stdout.
+By default, all metadata blocks are listed in text format.
+Use the options \f[B]--block-number\f[R], \f[B]--block-type\f[R] or
+\f[B]--except-block-type\f[R] to change this behavior.
+.TP
+\f[B]--remove\f[R]
+Remove one or more metadata blocks from the metadata.
+Use the options \f[B]--block-number\f[R], \f[B]--block-type\f[R] or
+\f[B]--except-block-type\f[R] to specify which blocks should be removed.
+Note that if both --block-number and --[except-]block-type are
+specified, the result is the logical AND of both arguments.
+Unless --dont-use-padding is specified, the blocks will be replaced with
+padding.
+You may not remove the STREAMINFO block.
+.TP
+\f[B]--block-number=#[,#[\&...]]\f[R]
+An optional comma-separated list of block numbers to display.
+The first block, the STREAMINFO block, is block 0.
+.PP
+\f[B]--block-type=type[,type[\&...]]\f[R]
+.TP
+\f[B]--except-block-type=type[,type[\&...]]\f[R]
+An optional comma-separated list of block types to be included or
+ignored with this option.
+Use only one of --block-type or --except-block-type.
+The valid block types are: STREAMINFO, PADDING, APPLICATION, SEEKTABLE,
+VORBIS_COMMENT, PICTURE.
+You may narrow down the types of APPLICATION blocks selected by
+appending APPLICATION with a colon and the ID of the APPLICATION block
+in either ASCII or hexadecimal representation.
+E.g.
+APPLICATION:abcd for the APPLICATION block(s) whose textual
+representation of the 4-byte ID is \[lq]abcd\[rq] or
+APPLICATION:0xXXXXXXXX for the APPLICATION block(s) whose hexadecimal
+big- endian representation of the 4-byte ID is \[lq]0xXXXXXXXX\[rq].
+For the example \[lq]abcd\[rq] above the hexadecimal equivalalent is
+0x61626364
+.TP
+\f[B]--application-data-format=hexdump|text\f[R]
+If the application block you are displaying contains binary data but
+your --data-format=text, you can display a hex dump of the application
+data contents instead using --application-data-format=hexdump.
+.TP
+\f[B]--remove-all\f[R]
+Remove all metadata blocks (except the STREAMINFO block) from the
+metadata.
+Unless --dont-use-padding is specified, the blocks will be replaced with
+padding.
+.TP
+\f[B]--merge-padding\f[R]
+Merge adjacent PADDING blocks into single blocks.
+.TP
+\f[B]--sort-padding\f[R]
+Move all PADDING blocks to the end of the metadata and merge them into a
+single block.
+.SH SEE ALSO
+.PP
+\f[B]flac(1)\f[R]
Index: flac-1.4.2-new/man
===================================================================
--- flac-1.4.2-new/man	(nonexistent)
+++ flac-1.4.2-new/man	(revision 5)

Property changes on: flac-1.4.2-new/man
___________________________________________________________________
Added: svn:ignore
## -0,0 +1,73 ##
+
+# install dir
+dist
+
+# Target build dirs
+.a1x-newlib
+.a2x-newlib
+.at91sam7s-newlib
+
+.build-machine
+
+.a1x-glibc
+.a2x-glibc
+.h3-glibc
+.h5-glibc
+.i586-glibc
+.i686-glibc
+.imx6-glibc
+.jz47xx-glibc
+.makefile
+.am335x-glibc
+.omap543x-glibc
+.p5600-glibc
+.power8-glibc
+.power8le-glibc
+.power9-glibc
+.power9le-glibc
+.m1000-glibc
+.riscv64-glibc
+.rk328x-glibc
+.rk33xx-glibc
+.rk339x-glibc
+.s8xx-glibc
+.s9xx-glibc
+.x86_64-glibc
+
+# Hidden files (each file)
+.makefile
+.dist
+.rootfs
+
+# src & hw requires
+.src_requires
+.src_requires_depend
+.requires
+.requires_depend
+
+# Tarballs
+*.gz
+*.bz2
+*.lz
+*.xz
+*.tgz
+*.txz
+
+# Signatures
+*.asc
+*.sig
+*.sign
+*.sha1sum
+
+# Patches
+*.patch
+
+# Descriptions
+*.dsc
+*.txt
+
+# Default linux config files
+*.defconfig
+
+# backup copies
+*~
Index: flac-1.4.2-new
===================================================================
--- flac-1.4.2-new	(nonexistent)
+++ flac-1.4.2-new	(revision 5)

Property changes on: flac-1.4.2-new
___________________________________________________________________
Added: svn:ignore
## -0,0 +1,73 ##
+
+# install dir
+dist
+
+# Target build dirs
+.a1x-newlib
+.a2x-newlib
+.at91sam7s-newlib
+
+.build-machine
+
+.a1x-glibc
+.a2x-glibc
+.h3-glibc
+.h5-glibc
+.i586-glibc
+.i686-glibc
+.imx6-glibc
+.jz47xx-glibc
+.makefile
+.am335x-glibc
+.omap543x-glibc
+.p5600-glibc
+.power8-glibc
+.power8le-glibc
+.power9-glibc
+.power9le-glibc
+.m1000-glibc
+.riscv64-glibc
+.rk328x-glibc
+.rk33xx-glibc
+.rk339x-glibc
+.s8xx-glibc
+.s9xx-glibc
+.x86_64-glibc
+
+# Hidden files (each file)
+.makefile
+.dist
+.rootfs
+
+# src & hw requires
+.src_requires
+.src_requires_depend
+.requires
+.requires_depend
+
+# Tarballs
+*.gz
+*.bz2
+*.lz
+*.xz
+*.tgz
+*.txz
+
+# Signatures
+*.asc
+*.sig
+*.sign
+*.sha1sum
+
+# Patches
+*.patch
+
+# Descriptions
+*.dsc
+*.txt
+
+# Default linux config files
+*.defconfig
+
+# backup copies
+*~
Index: .
===================================================================
--- .	(nonexistent)
+++ .	(revision 5)

Property changes on: .
___________________________________________________________________
Added: svn:ignore
## -0,0 +1,73 ##
+
+# install dir
+dist
+
+# Target build dirs
+.a1x-newlib
+.a2x-newlib
+.at91sam7s-newlib
+
+.build-machine
+
+.a1x-glibc
+.a2x-glibc
+.h3-glibc
+.h5-glibc
+.i586-glibc
+.i686-glibc
+.imx6-glibc
+.jz47xx-glibc
+.makefile
+.am335x-glibc
+.omap543x-glibc
+.p5600-glibc
+.power8-glibc
+.power8le-glibc
+.power9-glibc
+.power9le-glibc
+.m1000-glibc
+.riscv64-glibc
+.rk328x-glibc
+.rk33xx-glibc
+.rk339x-glibc
+.s8xx-glibc
+.s9xx-glibc
+.x86_64-glibc
+
+# Hidden files (each file)
+.makefile
+.dist
+.rootfs
+
+# src & hw requires
+.src_requires
+.src_requires_depend
+.requires
+.requires_depend
+
+# Tarballs
+*.gz
+*.bz2
+*.lz
+*.xz
+*.tgz
+*.txz
+
+# Signatures
+*.asc
+*.sig
+*.sign
+*.sha1sum
+
+# Patches
+*.patch
+
+# Descriptions
+*.dsc
+*.txt
+
+# Default linux config files
+*.defconfig
+
+# backup copies
+*~